Adrienne Sherice is a dance artist, educator, and choreographer whose work centers contemporary movement, commercial hip hop, and interdisciplinary performance. She holds a BFA in Dance and is currently an MFA candidate at Texas Woman’s University, where her research explores embodied storytelling, emotional labor, and the body as a site of memory and knowledge. Her training and professional development draw from concert dance traditions, commercial performance, and community-based practices.

Adrienne serves as an Adjunct Professor of Commercial Hip Hop at the University of North Texas, preparing students for professional auditions, classes, and performance environments. Her teaching emphasizes musicality, adaptability, clarity, and physical stamina, supporting dancers in navigating multiple movement contexts with confidence.

As a performer, Adrienne has worked with Urban Bush Women, KM Dance Project, and Giordano Dance Chicago through residencies and intensive training experiences. Her performance credits include concert works, music videos with Daddy Yankee, and large-scale productions such as the American College Dance Association, Art Basel, and the Super Bowl Halftime Show. At Art Basel, she performed in a reconstruction of Tina Girouard’s Pinwheel, engaging archival performance as a contemporary embodied practice.

Adrienne’s choreographic practice centers mental health, exploring how trauma is carried, negotiated, and transformed through movement. Her work examines emotional labor and relational boundaries as embodied processes, translating psychological states into physically demanding movement and layered spatial design. She has co-directed the Broward College Summer Benefit Dance Concert for several years, supporting emerging artists through mentorship and performance opportunities. Currently, Adrienne is developing a podcast on college dance experiences, trauma, and burnout, creating space for critical dialogue around sustainability and care within dance training environments.